You all know what I'm talking about, right? That cool desk top toy
with four or five steel balls suspended in a frame. You lift one at
either end and let it drop. When that ball hits the others the
energy is transmitted right through them, and the one at the far end
swings out, falls back, and so on back and forth.
Now we're going to get into a bit of a rant here, but that's okay
because -
A: this is my blog, and I can do whatever I damn well feel like with
it, and
B: this ties into writing. Everything ties into writing.
My wife, who busts her backside at anything and everything she does,
got 'let go' from her job the other day. It seems she finished an
assignment (not her first), and was told they didn't need her
anymore.
I love my wife. Take that as fact. You may also take my statement
that she is not the sort of person to be satisfied with 'just doing
her job' as a fact. Once she gets her feet under her, which doesn't
take very long, she ends up finding better, stronger, faster ways of
doing the work. This is part of the reason that no matter what the
explanation, I'm not on the side of the people who cut her loose.
Just not going to happen.
Now we come back to writing. I've read a lot of books over the
years. Some were good, some were bad, and some were so bad that the
publisher should have been sued and forced to plant more trees to
replace the paper that was wasted printing the books. One of the
factors in the latter is that the stories feel like they're taking
place on a stage somewhere in an abandoned theater, being played by
people who couldn't act their way out of a paper bag. The characters
have no real passion. They have no spark as individuals, and they
don't have that interactive spark that could make us identify with
them as a group. When one of them yells, their next door neighbor
doesn't bang on the wall, call the police, or come over to see what's
wrong because that neighbor is offstage taking a smoke break. When
the plot, such as it is, lifts one of the balls in the Newton's
cradle and lets it go, that ball smacks into the next one with a dull
thunk. Nothing else happens. Energy is destroyed.
Now let's get a more passionate response in there. After I found out
my best beloved was canned, I tried to emotionally support her as
best I could, and then the next day I told one of my co-workers that
if he didn't start looking behind him when he backed up in a
forklift, I was going to turn his head all the way around so that he
could do it automatically. There's a little more to the story than
just that, of course, and I'll put in a disclaimer here that I might
be stretching a truth to tell a good story, but you see my point.
The energy of what happened to one ball gets transmitted to the next
one, and then that ball passes it along to the next. Energy doesn't
disappear.
So that's how we make our characters a little more lifelike, and how
we vent to the whole world that our spouse was treated in a way that
we do not approve of.
And I'll write with that in mind.
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